Synopsis
Paris, 1742. A coffin floats in the shimmering Seine. On the lid, a word written in blood: Psalms. Inside, the body of a beautiful woman: Lia de Beaumont. Now her brother, D’Eon, seeks the reason for her mysterious murder, and uncovers an evil that shadows both the palaces of kings and the dark alleys of Europe.

A power wielded by spell-casting poets, and manipulated by royalty. A force so powerful it brings Lia’s soul back from beyond to seize the only weapon she can possess to avenge her death: her own brother.

Review
Le Chevalier D’Eon is something fresh. It is unique in that a blend of history (other than Japanese) and fantasy rarely happens. But in this piece, the combination of French history and fantasy makes Le Chevalier D’Eon something special. Right off the bat, the show leaves the viewers intrigued as the narrator, an old D’Eon tells his story of his adventure to discover the reasons and the people behind his sister, Lia de Beaumont’s death. As a coffin floated down the river with the word ‘Psalms’ written on the cover, the corpse of Lia Beaumont laid. Oddly enough, her body was filled with mercury which prevented her body from decomposing, hence, the decision to not give her a burial. Personally, I liked the idea of seeing her corpse, rather than just a tombstone. It gives off a different kind of feeling that you do not get from the tombstone. Maybe because it feels like she will open her eyes and rise up at any moment. In any case, her corpse also plays a role in the show so I guess it was important to mention it.

Now it would not be France if the details of the surroundings were not focused on. If you have had any art history classes that covered Versailles, you would be able to tell the various famous artistic pieces that made the Palace of Versailles special. Louis XIII’s desk and the paintings on the ceilings along with the extravagant view of the garden, they were all beautiful and detailed to the touch. I mean, I even recognized the gates that led into the palace along with other buildings that existed in Versailles. Production I.G. has done it again with their superb animation. Their focus on the details of France during Louis XV’s reign is certainly evident. But if you thought Le Chevalier D’Eon was only about replication of the arts, you are wrong. This show boasts both magic and skillful swordplay. This is another aspect of the show that I find somewhat different with the other sword swinger shows out there. There is a sense of reality in Le Chevalier. I know, there is nothing real about magic, but the way the fights are conducted, are where the difference is at. I got the sense that skill was more of a factor than how much ‘pow pow’ you can put into a sword and swing it at the opponent.

So now that you know what to expect visually from Le Chevalier, let us move onto what you should expect watching this piece. Le Chevalier is mysterious. For those who have read any of Dan Brown’s works, such as, ‘The Da Vinci Code,’ this show moves somewhat in a similar way. It uses historical facts to its advantage and twists it to flow with the end goal, which is to find the cause of D’Eon’s sister’s death. Other than the secret societies, what makes this anime series most like a Dan Brown book is the constant moving pace. Its nonstop pace keeps the show interesting. From what I have seen in the two volumes that I had access to, I cannot believe how much I loved the way everything played out. Judging by the cover, I did not expect anything great, honestly. At first, I thought it was not going to work, but by the time I got a grasp as to what was happening, the show became extraordinarily addictive.

Le Chevalier D’Eon revolves around the murder of Lia de Beaumont. It then becomes a thrill ride as our main character D’Eon de Beaumont and his comrades uncover dark mysteries, battling powerful villains called Poets with the involvement of the rifts between the Royal families. These Poets are able to wield unheard of powers and have the ability to control Gargoyles (animals that have been marked, including humans). These Gargoyles have the feel of a zombie, but their difference is that the victims have a chance to return to normal, although it is not actually shown on the screen whether they regain consciousness after being manipulated by a Poet, I am basing my assumption through what I have speculated, so until I am shown otherwise, I will believe the Gargoyles do return to normal if taken cared of correctly.

It is no wonder why Tow Ubukata decided to make his creation into three formats; anime, manga and novel. Le Chevalier is astounding as an anime in itself. As a manga, we should not expect much less and as a novel with its mystery and its use of historical facts and characters along with its consistent pacing, it should be good for the readers out there. Thus far, I like this series a lot. Le Chevalier D’Eon is a beautiful picture and its tale to be told makes it even better. I am definitely looking forward to the future volumes as they are being released.

The Breakdown
With its great animation, compelling story and astonishing mix of fact and fiction, Le Chevalier D’Eon gives the viewers an entertaining visual experience along with thought provoking mysteries. The show made me want to know more about the history of its setting so that I can further immerse myself into its attractive story. It was a neat idea to include historical notes and such in the extras of the volumes so that the audience can learn without having to look far.